Show 673: Samvær Under Tilsün ON ICE (Radio Nova)

Samvær Under Tilsün ON ICE is a live recording of S.U.T. performing in Spikersuppa Lydgalleri, an outdoor venue for sound art and music located at a skating rink in central Oslo, Norway.

3rd of february 2018 – Weather report: slightly overcast, sub-zero temperature.

Samvær Under Tilsün* is: Øyvind Mellbye and Einar Goksøyr Åsen. S.U.T plays hardware freeform tekno using 4093 megasynth and eurorack modular synth.

Previous Samvær Under Tilsün: Winter Solstice 2017, Sonic theme park 2017 Økern, Winter Solstice 2016, The balustrade at Deichmanske Library – Oslo Skaperfestival, Emmanuel Vigelands Mausoleum, Revolver – Ultima Decompression Night, Skur 40 – ILAF multi art festival and Fetveits residence at Godlia.

Learn more about S.U.T at https://goo.gl/B8HZtQ (ENG) or www.tilsyn.se (NOR)

 

*Socializing Under Supervision

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Show 672: Strangeness by Erik Lintunen (Resonance FM)

STRANGENESS: a documentary composition exploring everyday emergences of weirdness across both human and non-human lifeworlds – a combination of eld recordings, interviews and other sonic obscurities that voice perspectives on the absurdity of living.

The broadcast is a contribution from Erik Lintunen – a young sound artist currently studying and working in London – on behalf of Resonance FM.

childhoodreimagined.com

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Show 671: Pythagoras’ String Part I by Kristian Eliasson (for Kanal 103)

Pythagoras’ String Part I

The piece is a mix of field recordings and music made over a long period of time. Everything is structured around theories of human development.

It is an experiment of mixing parts of my creative history together, that was never intended to be experienced together. The connecting point of the different pieces is me, the composer.

Voice Narrator: Jan Palmkvist

Some of the people that appears: Jon Benbow, Prof. S.K Chakraborty, Gorana Pop-Georgieva, Ken Blawatt, Beppe Eliasson

Kristian Eliasson is a composer, musician and field recordist. He is part of societymusic.org

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Show 670: Turvalíngua by Nuno Pinto & Paulo Raposo (RadioZero)

Departing from the reading and performing experience of PO-EX, an ongoing archive of portuguese experimental poetry, this piece explores the mouth and tongue organs as sound tool to engage in an unstable balance between pre-verbal forms and collapsing discursive fragments which bring forward the interstices of language, all with a somehow black humour approach. Portuguese spoken only.

Nuno Marques Pinto is a multidisciplinary artist. He works on theatre, performance and painting, combining these tools to build a singular voice. His work shares a reflection on language and sound and aims to question or highlight the mecanisms of control in contemporany speech.

Paulo Raposo

Nuno Pinto: Voice.
Paulo Raposo: other sounds
Voice recording and editing by Pedro Centeno (parva edições independentes)
Produced and zemixed for Radia.fm by Paulo Raposo

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Show 669: Bodies of Water by Laura Irving for Soundart Radio

This piece is a sound meditation on impact of water; how sounds of water affect humans, and how human sound effect the aquatic ecosystem.

Using interviews, field recordings and archive footage (including from GM’s ‘Futurama’ exhibit of the New York World Fair of 1939), Bodies of Water looks at how we evolve and progress, and whether the tide of development we’ve been sold is actually taking us toward a destination we want to arrive at.

Produced and mixed by Laura Irving (Laurairving.co.uk). Mastered by Jean Paul DuBock

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Show 668: “Radio Souvenir” by Radio Picnic (Radio Campus Bruxelles)

Radio Souvenir

A portrait made with the memory of Aless, Caroline, Vera, Christophe, Victor, Ychaï, Eleonora, Pauline, Franco, Vincent, Jole, Paul, Izabella, Héloïse, Arthur, Electra, Susie, Aline.

First episode of a collective memory investigation by Radio Picnic.
http://radio-picnic.zonoff.net

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Show 667: « Ex Nihilo (nihil fit) » / Kinda Hassan (Radio Grenouille)

« Ex Nihilo (nihil fit) » – Kinda Hassan


Lebanese artist Kinda Hassan deciphers the Marseille kaleidoscope through a sound installation titled “Ex Nihilo (nihil fit), nothing comes from nothing”, where she interrogates the different stories rendered invisible by the contemporary facade of the city.

In the sonic image she creates, Hassan presents the city and its port as a subject and its mirror, unveiling details of some origins, often assigned today to the margin, to oblivion. They are details that illustrate a quotidian life by the sea: hours spent waiting for boats, bodies carrying tons of goods, products animating the shelves of the city markets, trades born on the corpses of their antecedents. They are details evoking ruptures, silences and ends.

The work is an intimate encounter with a city brought back to its fundamental roots: Man and his experience with survival.


 

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Show 666: One Thought Fills Immensity by Sarah Washington (Kunstradio)

One Thought Fills Immensity

Social Dreaming Climate Change: A psychosocial research pilot study into the contemporary cultural unconscious of climate change

A task, an engagement, a celebration, a seriousness, a desire, a call to arms. In October 2017 a gathering of specialists in climate change – including artists, researchers, activists, members of the Climate Psychology Alliance, and scientists – were brought together in rural Dorset by Cape Farewell, to be led by experts in a research method called the Social Dreaming Matrix. After contemplation of a series of powerful climate-based artworks, the 16 participants undertook a shared exploration of their dreams, associations and feelings with the aim of illuminating the cultural unconscious of climate change.

In One Thought Fills Immensity, Sarah Washington navigates the results in the hope of furthering the project’s goal to articulate the subliminal themes most meaningful for culture in the era of climate change. It is a Mobile Radio production for ORF Kunstradio and the Radia network, produced on behalf of Cape Farewell.

Photo: bobcat rock (CC BY-SA 2.0)

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Show 665: Screaming Tower by Carlos Santos & Nuno Torres (stress.fm)

Screaming Tower is a sound project by
Carlos Santos: electronics, field recordings
Nuno Torres: alto saxophone.

Screaming Tower is a site-specific audio performance based on the flux of water delivery public system, and uses electronics, alto saxophone and field recordings diffused by a set of mobile loudspeakers. 

The performance took place in the last level of a resonant water tower, about 40 meters high, located in Barreiro city, Portugal, in June 2017, as part of a performance event commemorating 80 years of public water delivery.

The architectural space is the “motor” for the development of the piece. Each of the generating sound elements: electronics, field recordings, saxophone, contribute as all for the displacement of sound in the resonant circular dome of the water tower. The usage of low and high pitch sound material, small percussive elements found in field recordings or played by the saxophone, were distributed by realtime mixing process of carefully placed speakers, 
so that space could vibrate revealing its hidden “music”, as the last character in this broader sound spectrum process.
Music for vertical structures.

Mixed and mastered by Carlos Santos
Photos by Vera Marmelo

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Show 664: Avant moi / Before me (Jet fm)

“Pourquoi le moustique, il mange le sang
de nous et pas des pâtes ? (Why mosquitos eat our blood and not pasta?)
Pourquoi quand je regarde par la fenêtre,
elle bouge la maison ? (Why, when i look out the window, the house is moving?)
Pourquoi les lapins qui courent, ils sont en poils
et ceux qu’on mange, ils sont en viande ? (Why the running rabbits are made of furs but those we eat are meat?)
Pourquoi les fleurs, elles défleurissent ? (Why flowers unflowered?)
Où j’étais avant d’être dans ton ventre ? (Where am i before growing inside you?)
Avant moi, y’avait quoi ? (What’s before me?)”

Avant moi (Before me) is a play for kids created in october 2017 by the theatre company Rachel Mademoizelle.It’s about origin of life, creation of the planets, life on earth and evolution (in the darwin way) until our birth. Inspired by a same title childbook by drawner Emmanuelle Houssais it’s a tiny tale for 3 – 6 aged. Annaïck Domergue did the script and played, Henri Landré made the sound, played live each time, with parts of improvisation and accident (as life).
This is a radiophonic version of the play without any words (except the introduction), just trying to make sense about the evolution with sounds only.
Contains samples by Pierre Henry, David Hykes, Rafael Toral & Chris Watson. Introducing Misha Landré Domergue.

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